Nicholiana Directory 04

The water of the stream was of a dirty yellow, and very turbulent owing to the strong wind that was blowing and the violent current. Proceeding up stream, we then came to a hill 300 ft. high on the right, which ended abruptly in an almost vertical red and yellow cliff plunging into the water. On the opposite side of the river, along the narrow neck, were lowlands, quite open and scantily wooded, over which rose great columns of black smoke, caused by the natives burning down the forest in order to prepare the land for their plantations. It was at this point that the entire volume of the Amazon could be gauged at a glance. As you looked up stream a long bluish line of low forest could be perceived over the gradually expanding deep yellow river. Dozens upon dozens of columns of smoke were visible. When night came the effects of those forest fires, with the reflection of the light upon the low clouds and in the water, were very weird and beautiful.

The twelfth, the Purification, is absurdly bad, but I do not know whether the expression of strong personal dislike to the Virgin which the High Priest wears is intended as prophetic, or whether it is the result of incompetence, or whether it is merely a smile gone wrong in the baking. It is amusing to find Marocco, who has not been strict about archaeological accuracy hitherto, complain here that there is an anachronism, inasmuch as some young ecclesiastics are dressed as they would be at present, and one of them actually carries a wax candle. This is not as it should be; in works like those at Oropa, where implicit reliance is justly placed on the earnest endeavours that have been so successfully made to thoroughly and carefully and patiently ensure the accuracy of the minutest details, it is a pity that even a single error should have escaped detection; this, however, has most unfortunately happened here, and Marocco feels it his duty to put us on our guard. He explains that the mistake arose from the sculptor's having taken both his general arrangement and his details from some picture of the fourteenth or fifteenth century, when the value of the strictest historical accuracy was not yet so fully understood.

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