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Nicholiana Directory 06
Page 08
It has been already mentioned that Philip had formed an alliance with Antiochus III., king of Syria, surnamed the Great, for the dismemberment of the Egyptian monarchy. During the war between Philip and the Romans, Antiochus had occupied Asia Minor, and was preparing to cross into Greece. Upon the conclusion of this war, Flamininus sternly forbade him to set foot in Europe, and for a time he shrank from a contest with the victorious arms of Rome. But the AEtolians, who had fought on the Roman side, were discontented with the arrangements of Flamininus. Their arrogance led them to claim the chief merit of the victory of Cynoscephalae, and their cupidity desired a larger share in the spoils of the war. Flamininus had scarcely quitted Greece before the AEtolians endeavored to persuade Philip, Nabis, and Antiochus to enter into a league against the Romans.
At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.
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